Beyoncé sure didn’t hold back with her onstage visuals and props during her long-anticipated Renaissance Tour. On Wednesday, during the singer’s first stop in Sweden, she performed several hits, including her sexy and beloved classic “Partition,” while riding a pole into… a giant robot vagina?
Yes, that’s correct. Beyoncé was riding a vehicle onstage while gyrating on a pole and doing some sexy choreography as she entered a giant hole adorned by two open robot legs, according to show attendees.
beyoncé rolling away into a huge vagina just now #BeyonceRenaissanceTour pic.twitter.com/YpytP1o5kG
— 𝗋𝖾𝗀𝖺𝗇⸆⸉ 🇵🇸 (@folkloregan) May 10, 2023
Beyoncé effortlessly mashed up “Savage (Remix)” into Partition, rapping, “Oh there daddy, daddy didn’t bring the towel/Oh baby, baby we slow it down/Took 45 minutes to get all dressed up/We ain’t even gonna make it to this club.”
https://twitter.com/_mcejay/status/1656398570805772288?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1656398570805772288%7Ctwgr%5E54842d137c3c79b1d7eaf33c72bef71480279293%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fbeyonce-partition-performance-renaissance-world-tour-1234733158%2F
The Bey Wagon turns !#BeyonceRenaissanceTour #beyonce #beywagon pic.twitter.com/O2qfNkv1ww
— Flip Phone (@flipphoneevents) May 10, 2023
The BeyHive has now baptized the singer’s onstage vehicle as the “Bey Wagon,” and it’s just one of the high-tech elements of her new tour, including some dancing robot arms.
During her performance of “Cozy,” Beyoncé showed off two swinging robot arms outfitted with two big rectangles that perfectly framed and moved with Beyoncé as she sauntered through the Renaissance highlight.
Later, the robot arms were used again to wild effect, scanning Beyoncé’s white cape with a light that caused a stunning stained glass print to appear. Fittingly, Beyoncé then launched into “Church Girl.”
The performance of “Partition” ended the fourth act of the singer’s set titled “Opulence,” which featured songs like “Black Parade,” “Run the World (Girls),” and “Formation.”
She also delivered on the Renaissance visuals that everyone was hoping for. Thank you very much, Queen Bey!
